The Poisonwood Bible: A Novel

The Poisonwood Bible: A Novel

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Oprah Book Club® Selection, June 2000: As any reader of The Mosquito Coast knows, men who drag their families to far-off climes in pursuit of an Idea seldom come to any good, while those familiar with At Play in the Fields of the Lord or Kalimantaan understand that the minute a missionary sets foot on the fictional stage, all hell is about to break loose. So when Barbara Kingsolver sends missionary Nathan Price along with his wife and four daughters off to Africa in The Poisonwood Bible, you can be sure that salvation is the one thing they're not likely to find. The year is 1959 and the place is the Belgian Congo. Nathan, a Baptist preacher, has come to spread the Word in a remote village reachable only by airplane. To say that he and his family are woefully unprepared would be an understatement: "We came from Bethlehem, Georgia, bearing Betty Crocker cake mixes into the jungle," says Leah, one of Nathan's daughters. But of course it isn't long before they discover that the tremendous humidity has rendered the mixes unusable, their clothes are unsuitable, and they've arrived in the middle of political upheaval as the Congolese seek to wrest independence from Belgium. In addition to poisonous snakes, dangerous animals, and the hostility of the villagers to Nathan's fiery take-no-prisoners brand of Christianity, there are also rebels in the jungle and the threat of war in the air. Could things get any worse? In fact they can and they do. The first part of The Poisonwood Bible revolves around Nathan's intransigent, bullying personality and his effect on both his family and the village they have come to. As political instability grows in the Congo, so does the local witch doctor's animus toward the Prices, and both seem to converge with tragic consequences about halfway through the novel. From that point on, the family is dispersed and the novel follows each member's fortune across a span of more than 30 years. The Poisonwood Bible is arguably Barbara Kingsolver's most ambitious work, and it reveals both her great strengths and her weaknesses. As Nathan Price's wife and daughters tell their stories in alternating chapters, Kingsolver does a good job of differentiating the voices. But at times they can grate--teenage Rachel's tendency towards precious malapropisms is particularly annoying (students practice their "French congregations"; Nathan's refusal to take his family home is a "tapestry of justice"). More problematic is Kingsolver's tendency to wear her politics on her sleeve; this is particularly evident in the second half of the novel, in which she uses her characters as mouthpieces to explicate the complicated and tragic history of the Belgian Congo. Despite these weaknesses, Kingsolver's fully realized, three-dimensional characters make The Poisonwood Bible compelling, especially in the first half, when Nathan Price is still at the center of the action. And in her treatment of Africa and the Africans she is at her best, exhibiting the acute perception, moral engagement, and lyrical prose that have made her previous novels so successful. --Alix Wilber

Product Details

  • Author: Barbara Kingsolver
  • Publication Date: 2005-05-31
  • Publisher: Harper Perennial Modern Classics
  • Product Group: Book
  • Manufacturer: Harper Perennial Modern Classics
  • Binding: Paperback, 576 pages
  • Features:
    • ISBN13: 9780060786502
    • Condition: New
    • Notes: BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed
  • Package Dimensions:
    • Dimensions: 790L x 530W x 110H
    • Weight: 35
  • List Price: $14.99
  • ISBN: 0060786507
  • ASIN: 0060786507

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Customer Reviews

Average Amazon User Rating: Average rating: 4.0 stars

5 stars The Things They Carried 2010-08-23

Reviewer: Terri J. Rice

Barbara Kingsolver's command of languages, especially English, is stupendous. I loved looking at the sentences, the palindromes, the onomatopoeia, the way she makes a sentence sing.

Four sister and a mother are taken single file to the Congo by a father and husband, Nathan, to be missionaries to the savages. This cruel, legalistic man instead only turns people away from his gospel in utter fear. He takes the gospel and uses it to punish his daughters and wife and then the Congolese.

"Away down below now, single file on the path, comes a woman with four girls in tow, all of them in shirtwaist dresses. Seen from above this way they are pale , doomed blossoms, bound to appeal to your sympathies. Be careful. Later on you'll have to decide what sympathy they deserve. The mother especially- watch how she leads them on, pale-eyed, deliberate. Her dark hair is tied in a ragged lace handkerchief, and her curved jawbone is lit with large, false-pearl earrings, as if these headlamps from another world might show the way. The daughters march behind her , four girls compressed bodies as tight as bowstrings, each one tensed to fire off a woman's heart on a different path to glory or damnation..."

The story is told chapter by chapter through the eyes of one of the daughters and less frequently by Nathan's wife, Orleanna.

The story is sad and complex. One man's desire to seek his own glory claiming it as glory for God and in the he end destroys everyone he thought he'd save, including himself.

4 stars The book is successful at helping outsiders understand the complexity that is Africa 2010-08-20

Reviewer: William Haas

I found it to be well crafted and dense. A mother and four daughters, each with a distinctive personality and voice, take turns giving their particular perspectives on the story of how their family, led by the fire-and-brimstone Free Baptist preaching father of this Georgia clan, ventured into the deepest Congo on a mission to an obscure village named Kilanga during the closing years of the Eisenhower administration. The novel, which runs on for 543 pages, recounts how this mission to Africa affected their family dynamic, their interpersonal relationships, and their futures. But it is much more than just a story of how Southern Baptists adapted (or not) to life in the Congo, it is about the process of self-discovery, the presumptions of proselytizers, the range of different approaches people might take to living in a foreign culture, the impact of colonialism, American hegemony during the Cold War, and the history and natural essence of Mother Africa herself.

1 stars terrible... 2010-08-08

Reviewer: L. Walker

this book was just plain lousy. I have no idea what message she is trying to convey about missionaries or foreigner arrogance in the midst of the 'natives.' The only message that came across is that the missionaries are psychotic and the natives stupid, hardly a message worth reading about. The characters were two dimensional, especially the 'natives'. The setting was not fully realized and the plot never played through to a believable conclusion.

4 stars Not Buying "The Verse" 2010-07-29

Reviewer: Debbie Fox

I seriously doubt an evangelical Baptist missionary would use a Bible that contained the Maccabees books with "The Verse" he made his daughters write as punishment. It did help tie up endings but is not realistic to see a Baptist reading Maccabees, which are found in Catholic Bibles, not protestant Bibles. But then The Poisonwood Bible is a work of fiction.

3 stars Too much editorializing, caricature of characters 2010-07-26

Reviewer: A. Kalbag

This is the first book that I have read that has been featured on Oprah's Book club. It is a good book (definitely not great) and very entertaining in parts. If I am going to read books because of their accolades, then I probably am better of sticking with the classics, the Nobels, Pulitzers and other critical award winners. The two major short comings in my humble opinion are:

1. Simplified characters. You have the bigoted, ultra-evangelical, ignorant father (no problem with that - we need to have books with all kinds of characters, good, sympathetic, unsympathetic etc), but we only see him as a 2-D character. We do not know what makes him tick directly from his actions or from his behavior, only that he is a stereotype - a Jerry Falwell type Christian whose comeuppance is all too eagerly awaited by the reader. What we do know about his inner workings is through editorializing (see point 2.).

Similarly his two daughters, the intelligent, liberal that suffers from white guilt and questions her faith; and the dumb blonde that is ignorant to the point of being racist are stereotypical. Both observe the same crushing circumstances of Africa but have vastly different yet stereotypical reactions.

The mother's character, her motivations and her reactions seem most fertile for development since she devoid of stereotypes. Her character shows a great range of emotions upon being thrust into Africa (shock, discomfort, acceptance, misery, desperation, courage) without ever becoming either a bigot or being swathed in "white-guilt". However her perspective is almost discounted.

2. We all know that every Author has an agenda from Dostoevsky to Flaubert to Crichton, however the great ones let their character and plot advance the agenda rather than the narrator (the book is written in a 1st person with 5 voices - 4 daughters and mother). The book suffers from too much editorializing, which unfortunately adds to the page count. This book could have been shorter and sweeter.